Elizium, a dark rockband from the Netherlands, just released a new video a few days ago. It’s the latest track from their upcoming album Losing Light, to be released later this year. Check out the track on Spotify or watch the clip on Youtube.
Ja. Toch jammer als je vol enthousiasme wil vertellen over een track die eerder in de tiplijst stond… om er dan achter te komen dat je die track toen nooit gedraaid hebt. Daarom dus twee tracks van Maanvlinder in deze tiplijst! Verder Nederlandse Deathmetal dit keer, onder andere van nieuwe band Mosaic. De tiplijst is te vinden via Mixcloud en Youtube. Enjoy! En laat me weten als ik nieuwe muziek heb gemist! Dat mag ook in person, als je dit weekend op Jera on Air bent. Zie jullie daar!
Tracklist
Mosaic – Harvester
Caffas Rain – Echoes in the Void
Chaos Unleashed – M.A.D
Or Not – Dark Wave
Deafened To Death – DTD
Sordid Empire – Sordid Empire
Maanvlinder – Je Eigen Koers
Bok – Metastasis Dei
Maanvlinder – De Tranen van Gister
English below
De heren van Nephylim (Melodic Death metal) openen de Reaper stage op vrijdag. Ze werden aangekondigd met het feitje dat ze niet meer samen gespeeld hebben sinds februari. Hier is echter niks van te merken!
Ze beginnen hun show ook meteen sterk door tegelijkertijd te headbangen. Het zijn echte showmensen op het podium. De zanger gaf de andere artiesten ook een spotlight momenten, persoonlijk vind ik dit heel fijn om te zien aangezien een band meer is dan alleen de frontman.
Ook zodra de eerste noten begonnen te klinken begon het steeds voller en voller te lopen met mensen en dit ook zeer verdient want wat speelde ze lekker. Het enige beetje irritante is dat de frontman het publiek in het Nederlands en Engels aansprak en de hele tijd bleef wisselen. Ik denk dat ik mij hier als enige aan stoorde want het publiek ging los. Nadat de eerste moshpit was gestart ging het aan een lopende band door.
Het is niet de eerste keer dat ik Nephylim heb gezien en ik hoop ook niet de laatste want het plaatje is compleet, het klinkt gewoon goed en zo ziet het er ook uit!
Je vind Nephylim op hun eigen website of in onze database.
All pictures were taken by @Foto.Morfose
The gentlemen of Nephylim (Melodic Death Metal) are opening the Reaper Stage on Friday. They were announced with the fact that they haven’t played together since February. However, you wouldn’t notice this at all!
They start their show off strong by headbanging in unison. They are true showmen on stage. The singer also gave the other artists their moments in the spotlight. I personally find that very nice to see, as a band is more than just the frontman.
As soon as the first notes started to play, more and more people began to gather, which is well deserved. They played really well. The only slightly annoying thing was that the frontman addressed the audience in both Dutch and English, constantly switching between the two. I think I was the only one bothered by this because the crowd went wild. Once the first mosh pit started, it continued non-stop.
This is not the first time I’ve seen Nephylim and I hope it won’t be the last. Because everything about them is just right; they sound great and look great too!
Nummer 15 alweer! We zijn halverwege het jaar en we hebben inmiddels al meer dan 100 nieuwe tracks van Nederlandse bodem aan jullie kunnen laten horen, hoe tof is dat! Ook deze week weer nieuwe muziek, zeven stuks dit keer in de lijst. Onder andere nieuwe muziek van Meslamtaea en Reaching As We Fall, maar we hebben ook een verassende track van Ziggurath voor jullie klaar staan.
De tiplijst is te vinden via Mixcloud en Youtube. Enjoy! En laat me weten als ik nieuwe muziek heb gemist!
Tracklist:
Simone Simons – In love we rust
Reaching as we fall – The Void
Provisional – Silent Grey
Meslamtaea – Besef komt in vlagen
Bloodsucker – Life goes on
Burried – Void
Wurgilno – De Pest
Ziggurath – Divine Plague
On june 8th, Ziggurath released their EP Astral Excorcism. A weird combination of Egyptian inspired black death’n roll, Astral Exorcism makes for an interesting listening session. Check it out on Spotify and check out the pictures our photographer Abyssal Void made for us below.
Having been active for a number of years it was finally time to present Vidarr to the world with the release of their debut EP. Every reason to throw a party at the Hedon in Zwolle. And when you throw a party, you invite friends over. Ruben Baar was there to see the guys from Menschwalch, Man as Plague, and Vidarr celebrate.
Walking into the venue smoke is already pouring out of the door to the concert hall. This will be our portal to an evening full of stomping, heavy-hitting metal. The room gradually fills up with about a hundred people and we are off to the races.
Menschwalsch, who funnily enough published their debut album through Vidar Records, no further relation, gets to open the stage with some dry introductions and proceeds to blast our socks off with a mean drum intro. What follows is 45 minutes of grindcore with apparently Dutch lyrics, but I don’t speak pig squeal and neither does anyone else, so that shouldn’t hamper your listening experience too much.
The instruments receive quite the beating and need to be tuned every two songs. A moment the vocalist consistently uses to joke around and make witty puns. His performance is characterized with little dances and miming, along with some exaggerated facial expressions.
During a track that supposedly had some German verses in it the guitarist’s strap breaks and he barely manages to fix it in time for a solo. The remainder of the song he has to kneel down to hold his instrument. A quick fix later we get to move on to their song ‘Botrot’ which suddenly has a groovy melody during the chorus. It sort of gets the crowd going, but most people keep clear from the stage for the entire evening.
To the frustration of Man as Plague who get to follow up as second act of the evening. Their frontman is trying desperately to force some energy into the crowd to the point where he walks multiple rounds through the gathered onlookers. Unfortunately, most of the people here seem to be family and friends of Vidarr who aren’t used to spending their Saturday nights in a fogged-up tomb with a man screaming in their faces.
The band makes the best of it, playing their hardcore death metal as best they can. It is a completely different experience from how they sound on their albums. Where on the compact discs you can really hear the death metal with switching screams and growls, live it sounds more like hardcore with only one mode of vocals.
After taking a moment to wish their sound technician a happy fiftieth birthday they continue giving it their all. During their last song ‘Chronos’ the singer makes one last effort to get the crowd going and starts performing in front of the stage and pulling guys in to force a moshpit but when only one guy is eager to participate that quickly dies out.
Which leaves only the men of the hour, Vidarr. I last saw these guys during 2023’s Metal Battle and I was impressed by this outfit. They got the whole room going and rightly won that first round. Now they are back to present their first album: “Tormented to Rot”. Well they call it an album, but it only has five tracks on it and doesn’t even clock in a thirty minutes. So it’s more like an EP, but we’re here for it none the less.
They start out with ‘The Raid’, one of their new tracks. A song about vikings coming to pillage a town. The Norseman and Pagans are a recurring theme for this band and this is a strong start. As a geyser of smoke blasts around the vocalist he screams out to the audience announcing their presence.
This gets followed up by ‘Hel Awaits’, an older track that’s been out for a while and isn’t featured on their new album. Which makes it still unavailable on physical formats. It does a have a discernible chorus though, so we can shout along with it.
‘Blood Eagle’ is up next, a dark song about being captured in battle and executed. This is definitely more in line with their black metal influences as this track has a more droning and melodramatic feel to it.
Followed by the longest song on the new EP, ‘Traitors’, which is about hunting down a group of traitorous men. But despite it’s length, it remains a consistent track witch does not let up throughout.
That leads us to ‘Fields of Decay’, about laying in wait in the woods to ambush your enemies. Which brings the energy up again. But no-one’s been within three feet of the stage yet, nor will that happen tonight.
The last song of Tormented to Rot is ‘Eternal Suffering’ which is the darkest song on the new release. It’s about being tortured in hell, the fiery one. Not the cold Hel from Norse mythology strangely enough.
Vidarr isn’t done yet though, because they have yet another song to play that isn’t on their new album, nor was previously released. ‘Facing the Gallows’ is a brand new song that they’ve apparently worked on since recording this CD late last year. And it’s definitely in line with the rest of the songs this evening. It seems they’re favoring the black metal influences more than the hints of melodic death metal I got from them last year. But they remain a solid band that could do really well now that they have enough material to fill a 45 minute time slot.
These guys delivered some thumping, heavy songs and with this album out for the masses they’ve definitively announced their presence to the world. Let’s hope they can get some bookings, because I can certainly see them playing Stonehenge Festival or make for a good supporting act while they continue to develop their sound. Their new record is out now through DOC-Records by mail order, or go see them live yourselves. The full record will be on Spotify soon enough, sadly the band is experiencing some delay. In the meantime, you can listen to one of their older tracks!
You can find Vidarr on Facebook or in our database.
Ilaender is a new alternative metal project from the East of the Netherlands. On May 3rd, they played as the opener for Grey Daze in Metropool, their second gig ever. The band also just released their debut single ‘I know nothing’. MetalFromNL was at Metropool to take photos, and we asked the band some questions about their music and their story so far.
See all pictures below the interview. Pictures and interview by Jose Ferreira.
When we started the band our vision was pretty clear. We all have a huge heart for the late 90’s, early 00 rock/metal period and a common love for the band ‘Deftones’. Due to that, it was pretty easy to start writing the first few ideas. But indeed, it is also a long process of getting to know each other musically and as individuals. As soon as we felt that we were all on the same page, it got easier with every song to dig deeper into our own sound too. I (Martin) prefer to write lyrics about personal topics I have dealt with in life so far. It will probably evoke a certain melancholia, a feeling of frustration but also hope. Everything you deal with inside your head and heart is worthwhile to put on a piece of paper.
As said before, one of the elements was our common youth companion ‘Deftones’.
I myself come from a rather pop/rock-based band Ten Times A Million, but always had the dream to start a much rougher project. When talking to my good friend Karel (Guitars + vocals) about starting this sort of band and Michiel and Oscar (Guitars + Drums), they had the same idea independently. I didn’t really know them much by that time, but how fate miraculously works sometimes, all of them play in the band No Gods No Master where they started talking about that idea.
We met after their rehearsal randomly at our all-time favorite pub ‘Cafe Rocks’ in Enschede and that’s where it all began. We finally asked Frank (bass/Cryptosis) if he wanted to join the party and ILÆNDER was a fact.
ILÆNDER is the last name of my grandfather. He stood for things such as integrity, family and friendship, eagerness, his passion for making music together and he was, and still is, my definition of a superhero. Everybody in the band could identify with these values easily. It’s like a code to live by. The band’s logo artwork is the engraving of a signet ring I inherited after he passed away.
In simple words: we just want to play as many shows as possible and have a good time with each other. Besides that, we surely want to leave our footprints in the (heavy) music scene.
Now is the time to finish our first record and drop a few singles along the way until the record release at the end of this year. We further want to summon people around us that share the same passion of music and keep on growing with every step.
It’s funny to me because the first idea of the song was the drum groove during the riffs, which is btw. still my favorite element of the song. With that groove, the rest of the song almost wrote itself. Everything fell in the right places naturally.
‘I Know Nothing’ is a song about not giving up, even if no one else believes in you anymore; about a new start and leaving everything behind, as hard as it might be; It’s about taking your fate into your own hands. I’m still working and fine-tuning lyrics together with my good friend and lyric-writer Jim Irvin (Nothing But Thieves etc.) After I’d sent him the first draft of a lyric, he answered this:
“…but what if the song were about someone who was once called Nothing, as in
“They said I was nothing..”?
So, I Know Nothing means, “I was this guy and came through it….”
“It’s over when I say” is therefore empowerment, not suicidal (!)
but “My nothinghood ends now…”
I loved this idea so much and used it as a guideline throughout the whole song.
Wow, this is a deep question. To me, metal music is the element of chaos I need to stay sane in today’s life. It’s a place where you can leave and scream out your anger, frustration, panic and pain. You can easily share these moments with fellow metalheads by just screaming together and without knowing taking each other’s weights off one’s shoulders. I really don’t want to miss this in my life.
It is always important to partner up / become friends with people who organize festivals or concerts. It doesn’t matter if it’s a small rock pub like Cafe Rocks or larger venues like Metropool, every stage is important!
We have the obligation to deliver a show that justifies their trust in giving us these unique opportunities.
But yeah, Twente is our home, and especially Metropool has a special place in our hearts. We are extremely grateful for their massive support.
Thank you so much Ilaender for your answers!
You can find the band on their socials.
Guess who’s back? Back again? Playlist’s back, tell a friend! It’s not the best podcast episode I’ve recorded, there were some mistakes as I tried to rush it (lesson learned there). However! Ten brand new songs for you all to to enjoy in this extra edition, because there were way too many releases.
The Infamous Nameless – Realm of the Fallen
Sayas – There where the Light Remains
Seven Spirits Burning – Kill the messenger
Ecocide – Cloak & Dagger
Officium Triste – Behind Closed Doors
Salvage – Covenant
ENMA – Enchantress
Sietse de Krieger + Mees Stevens – Zenith
Stalk – Tenfold
Aum Zorion – Zerura
Everything Decays – The Creation: The monster that you made of me
#metal #dutchmetal #metalfromnl #deathmetal #alternative #metalcore #dutchmetalcore #deathcore #progressive #progressivemetal #hardcore #doommetal #newrelease #newmusic #newtrack #band #bands #localband #supportyourlocals #music
@theinfamousnameless @sayasmetal @seven_spirits_burning @ecocide_official @officium_triste @salvagebandofficial @enma_band @sietse.dk @aumzorion @everythingdecaysnl
Last Friday night the metalheads from Hilversum and far away gathered for the fifth edition of Metalcafe Live in The Vorstin. MetalFromNL was there once again to report on the recurring event. This time with pictures by Nicky van der Schaaf and a write-up by Ruben Baar.
The theme of tonight is folk metal, a personal favorite of mine. So I’m very excited to see what the Dutch scene has to offer in that regard. I walk in right as tonight’s host Niels bellows out his welcoming words. The room is already packed and the crowd is rearing to go. Good thing that the first band of the evening stands ready to deliver.
When you think of folk metal, you think of bagpipes, violins, and flutes. But the guys from Mourning Wood take a different approach. Dressed in Hawaiian shirts and leis, these guys are clearly taking a page out of Alestorm’s book and are profiling themselves as a party band perhaps best suited for later in the evening rather than an opening act. Their music is somewhat chaotic and the seven members don’t always mesh well together, but they are clearly having a lot of fun.
In front of the stage, there’s immediate audience participation, a moshpit breaks out as soon as the band starts playing and it only takes three songs into the set for the singer to don a pirate hat and tell the willing crowd to start rowing. His vocals and grunting are good and lend the band a heavier sound to offset the many cheerful notes being played on the keyboard and guitars. These come to the forefront after the pirate-themed song switches over to ‘Redneck Redemption’ which has to be a play on the videogame title ‘Red Dead Redemption’. There’s a thumping chiptune beat throughout this song that never shows up again.
It’s a whirlwind of different styles and themes made all the more apparent when the set continues without the bells and whistles and the band starts playing more traditional death metal. Only to kick it back to the more silly vibes with ‘Heathen Hoorah’ which features a classic circus medley. It’s quite a thing to behold as I’m still not sure what exactly it is that saw, but the audience is eating it up and happily dancing and moshing away. To close out with the band plays an English cover of a classic Flemish children’s song ‘Dwarven Dance’ which the millennials in the crowd can definitely appreciate. I couldn’t help enjoying it myself.
After this whirlwind of a party starter, the stage gets set for Alvader. On paper these guys have the highest pedigree in the folk metal genre, having three former Heidevolk members in their ranks including their singer. Heidevolk has always had characteristic vocals and these are present in Alvader as well.
Unfortunately this band is so poorly mixed no one can make out a word he’s saying. The vocals get completely drowned out by the other instruments, especially the drums. Which is a shame because a track like ‘Midwinternacht’ starts off strong with such fast passed and heavy drums, you’d think it’s the start of a Motörhead song, but it just devolves into a barrage of noise due to the poor sound quality.
Guitars meant to bring the folk melodies completely disappear in even their self-titled song and with what’s left of the baritone vocals we end up listening to a droning wall of sound that’s more like blackened noise metal than anything else. The crowd, presumably still on an energy high from the previous band, do try to enjoy themselves. And in such a community, who couldn’t? But with every passing song, there’s less and less movement.
Our MC Niels does push for one more song at the end and they play a cover of ‘Ostara’, which is a Heidevolk song. So the gathered folk metal fans know how it goes, so they can fill in the missing words for themselves. It serves as a strong signal that Heidevolk is still clearly the better band and to add insult to injury, as soon as the band stops playing the house music kicks in with more of their music.
To close out the evening Alvenrad takes the stage. Though it seems about half the people from the start of the evening have already left the venue at this point. Had they stayed, they’d have seen an impressive handlebar mustache on the bassist and felt some heavy blast beats.
The people that are left have no quit in them, they are determined to keep that pit going all night long. Even if it doesn’t always align with what’s being played on stage. The vocals are distinguishable again, but besides the lyrics there’s not a lot of folk in this band. It feels more like melodic death metal.
Every song is about The Netherlands most well-known woodland region and we get plenty of songs off their latest album ‘Veluws Ijzer’. As well as some of their latest singles like ‘De Verborgen Beek’. What’s left of the crowd does seem to enjoy it and after a disappointing second act, it is a step up.
Despite it not really having a folk tone, the band does work together really well and delivers some pounding melodies. It could be a nice prelude to the next edition of the event on October 4th. That night the theme for Metalcafe will be melodic death metal bands from The Netherlands. When the last notes are played the room rapidly drains of people, which leaves a DJ playing requests for only a handful of people. Barely half an hour later these final stragglers are being shown to the door. Start of the evening definitely being Mourning Wood for their sheer display of insanity and though it was too bad we didn’t get to see Alvader at their best, we had a strong finish. We’ll definitely be back here in October for more metal from the Netherlands.
Want to keep updated on the Metalcafe events? Follow them on Instagram.
Graveland Festival is the place to be if you’re into (underground) death and black metal. This year’s headliners are well worth the 99 euro for a two-day festival. This years’ line-up includes Tiamat, Carcass, Dool, Necrophobic, Tsjuder and Wolves in the Throne Room, besides of course a lot of other bands and even some local legends. Jose was there for us to take some pictures and give us his impression of the festival.
The nice thing about Graveland is that it has only one stage, so you don’t have to choose which bands you want to see. That means that there are bound to be some bands that you’ve never heard of before, but make some pretty interesting music.
Deadspeak describe themselves as Filthy guitars, rotting low end, pounding riffs, and atmospheric interludes. They make nasty death-metal, which is heard on their latest release ‘Tidal Disruption’. They had the honor to open for Graveland this edition, and the sure made the most of it! Their debut album will drop later this year, and they made sure we are excited for that.
More pictures below.
Soul-shattering grimy black-metal…those words describe Deathless Void perfectly. Operating more in the black-metal underground, Deathless Void stepped out onto the big stage today to deliver a killer performance during Graveland Festival. The squeals from their vocalist made the hairs on our arms stand straight up, and the fire made sure we could feel a least a little bit of heat, since the weather still wasn’t great.
More pictures below.
After some metal, it’s time for food and drinks. Besides the usual stuff Graveland has some good meat too. We need that with weather like this. It’s a bit hard to find a place to actually eat the food, since it’s been raining a lot all day. After a well-deserved food break a some rest in the tent, we’re back to the festival site for some more metal.
Dool is an interesting band. Mixing dark vibes with gothic and progressive metal, we’re not sure how to label this band. And maybe we shouldn’t, with their latest album titled ‘Shape of Fluidity’. Being one of the Netherlands most well-known acts, their versatility means that they fit in well on a variety of stages.
They definitely fit the Graveland stage, as they play a very well-balanced set with plenty of crowd-pleasing songs.
Pictures by Jose Ferreira (@foto.morfose)
