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Band

EDSATTIC

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EDSATTIC

nHailing from: DenHaag
nGenre: heavy metal
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Links to other sites:

nWebsite
nFacebook
nInstagram
nYoutube
nSpotify
nBandcamp
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nSpotify playlist:
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Bio:

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EDSATTIC

nHailing from: DenHaagnGenre: heavy metaln

Links to other sites:

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Bio:

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History of Edsattic

The band’s history started somewhere in 1993, when 3 friends, who grew up in
the same neighborhood in Rijswijk, South-Holland, joined forces.
Edwin โ€œEdzyโ€ Haan (guitars & vocals), Marco โ€œDrieโ€ Drioel (keyboards & vocals)
and Arjen โ€œArdjensanโ€ van der Toorn (guitars & vocals) each had their own specific influences. Their mutual goal became to create heavy rockin’ metal in the vein
of great examples like Kiss, Dio, Yngwie Malmsteen, Iron Maiden, Metallica, Slayer, Kreator, Obituary and many more!
After numerous, intense jam sessions on Ed’s attic, the first real songs took shape.

The band’s live debut as a trio took place on May 28th, 1994, at a local festival, which was also broadcast on radio. Later that year longtime friend Aad joined Edsattic on bass. In January ’95 he was introduced as the new band member at the next gig, which took place at “De Koornbeurs” in Delft.

After participating in full line-up at the next edition of the same local festival in Rijswijk, the band released their self-produced 4-track demo-tape called “ON”.

In the course of 1995/1996 several more gigs followed; among others at “Big Confusion” in Den Haag, “Nederland3” in Wateringen and “Don Bosco” in Rijswijk.
Edsattic gained popularity and for a while the band seemed to be world famous
in their own hometown…

But then guitarist Arjen decided to quit the band because he wanted to expand his musical horizons. So, he did by joining the death/thrash metal band Spheres
and later the symphonic metal band Magion, which was quite successful.

Meanwhile Edsattic went into hibernation.
Through the years the band members remained good friends though.

In June 2008 Edsattic was reactivated for a special gig at “Nederland3” to celebrate both Ed’s and Marco’s 40th birthdays. For this occasion, the band was joined by David de Waal (Magion) on drums and Lee van Diest (Ugly Sin) on bass.
This collaboration worked out well and the 3 original members were back to the vibe again. So, they decided to record a bunch of songs in this specific formation.

Somewhere in 2009, 6 tracks were recorded & mixed by longtime friend Raymond Vogelaar (Natha Lee, Rocksville) and mastered by Chris Vrij (Spheres, Magion).

However, Edsattic’s debut album, which will most probably be titled “Once Upon”,
is yet to be officially released.

In February 2011 Arjen was having his heavy 40th birthday bash at “Musicon”,
Den Haag, with the participation of Edsattic, Magion and old-time metal buddies Acrid.
The band was joined on stage once more by David de Waal on drums and bass duties were shared by Raymond Vogelaar and Chris Vrij.
After this event Edsattic fell silent again…

Early 2014 Magion broke up and Arjen was looking for new opportunities.
Somewhere in 2015 Edwin and Arjen hooked up with old friend Renรฉ โ€œBollieโ€ Bol,
who started playing the drums at a later age.
After a few inspiring jam sessions, they decided to continue Edsattic together and Marco joined again as well.
While they started rehearsing on a regular basis, the search was on for a new bass player. Eventually they found the right person in the colourful, at the time 20-year-old Dianthe โ€œDidiโ€ Schroor.

Edsattic was back on track. Stronger than ever, eager to write new songs and ready to take any stage by storm!

The first official gig in the new line-up took place on October 20th, 2018, at โ€œSaturnusโ€, Scheveningen. Exciting performances followed at resp. โ€œNederland3โ€ in Wateringen, โ€œPopradarโ€ & โ€œMusiconโ€ in Den Haag, โ€œDe Koornbeursโ€ in Delft and โ€œDe Boerderijโ€
in Zoetermeer.

But then Corona struck, having a great negative impact for a longer period on many activities and initiatives worldwide; causing them to be postponed or cancelled…

On April 30th, 2022, we felt happy to pick up the thread again of playing live in front of an audience at โ€œJJ Music Houseโ€ in Zoetermeer, sharing the stage with our friends of Rocksville.

Amazing shows took place at โ€œPopradarโ€, Den Haag, at the annual BBQ-fest of โ€œRugby Club Delftโ€ and at โ€œMevrouw Laten Staanโ€ in Zoetermeer.

Meanwhile a long-cherished wish came true when Edwin started to build a music practice center consisting of 2 fully equipped rehearsal rooms in โ€œDe Plaspoelpolderโ€, Rijswijk, South-Holland (www.oefenruimterijswijk.nl). Thus, providing Edsattic with new Head Quarters and enabling other bands to rehearse throughout the week as well.

After 30 years of existence a new era has started in 2024, as Edsattic-songs are being released 1 by 1 through a whole range of popular digital channels, like Spotify, Facebook, Instagram, Wikipedia, Metalfrom.nl, TuneLink, etc.

Edsattic play Metal with a lot of variation; mainly melodic, many times very heavy and sometimes fast. The style is more often described as โ€œold-schoolโ€, but not predictable.
The lyrics handle topics like tragic events, horror stories and personal experiences.
Vocal duties are being shared, as vocal melodies range from clean to harsh.
Live on stage Edsattic deliver an energetic, enthusiastic and captivating performance.

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Upcoming Gigs

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Categories
News

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Verwoed – The mother

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Categories
Interviews News

Dance with Dragons – About Escape Into Darkness

In two weeks, the debut album ‘Escape Into Darkness’ by Dance With Dragons will be released. This symphonic metal band, with no less than four vocalists, has everything it takes to perform this epic music live, without a backing track. We asked the band some questions about their inspiration, their new album, and more.

I read an interview online with Femme Metal Webzine, where you already talked about recording an album. That was in 2021. Why did it take so long for this EP to come out?

That’s correct, during the corona period, we couldn’t practice for longer periods, so we wanted to use our time wisely by making recordings at home. (Perhaps somewhat overconfidently) we decided to record all the songs and make an album out of it. Although we had no experience in this, we tried to do everything ourselves. Eventually, we realized that this was not going to yield the desired result and we called upon the help of Stijn Donders from Raiko studio. For various reasons, we reduced the number of songs from ten to four, so it became an EP. Eventually, with Stijn’s help and tips, we re-recorded all the drums and instruments, after which he took care of the mixing. And now we are happily left with a result that we are very pleased with.

Your band hasn’t been together for very long, but the core of the band (Pim, Wouter, and Kenji) have been playing together for a long time. How has the metal scene in the Netherlands changed over time?

Trends can also be observed in metal, and certain genres do better at certain times than others. For example, at the beginning of the millennium, “gothic” was a huge hype, thanks to bands like Within Temptation and The Gathering. At that time, it was easy for a metal band with a female singer to get gigs because every festival or community center wanted a “gothic band”. Now that genre is not popular at all anymore, and you also see little influx of young people among the audience. It’s largely the same people as 20 years ago who come to watch. Interestingly, the quality of the (unknown) bands in the genre has (perhaps because of this?) greatly improved in my opinion.

What musical inspirations do you bring to the stage? Is that inspiration very diverse or are you all on the same track?

Quite diverse, Sanne is a big fan of the symphonic metal genre, but also a fan of Queen since childhood. Wouter is inspired by bands like Nightwish and Amon Amarth, but has also been a fan of Pink Floyd since a very young age. Michiel draws inspiration from bands like Marillion, Nightwish, and Skyclad, and Peter from bands in the symphonic and progressive metal genres. Kenji grew up with music ranging from classical to The Beatles and still likes to listen to everything from pop to metal. Pim draws his inspiration from the music he is working on rather than his musical preference.

What does the writing process look like? Is it a collaboration in the studio, or does someone provide a track that the rest then adds their own input to?

We write together in the rehearsal room. Usually, Wouter brings in a basic idea for a song that we shape together. We don’t limit ourselves to our own instruments, but the composition is also a group process.

It’s a conscious choice for you to be able to play everything live. How difficult is that, especially as a symphonic/melodic band? I mostly see bands in this genre playing with backingtracks, sometimes even with (terrible!) backing vocals on track! How do you manage to do it?

We balance a bit between different genres, one song more of one, the other more of the other. That’s why we stick to melodic metal with. We write our songs so that we can actually play them live. Of course, we have the luxury of having no less than four vocalists, which gives us more options. In the studio, we did add some backing vocals and extra lines, but nothing that would be indispensable live.

There’s a lot of energy at your performances. I also see a lot of costumes and a well-thought-out concept when I watch videos and photos. Do you decide that together as a band or are there one or two people who take the lead on that? And which bands are your inspiration for that?

We make all the big decisions as a group. Often there are one or two people who are more involved in working out the concept. So Sanne and Wouter took care of the style of the outfits, and Pim, for example, worked on the stage decoration.

Can you tell us something about Escape Into Darkness? What can we expect? What was the inspiration?

The title of the EP comes from the lyrics of the song “After Dark”. We chose this because it thematically fits well with the songs on the EP. The four songs are also a good example of our versatility, with “Judgment Day” as a catchy sing-along, “The Key” secretly being quite poppy, “After Dark” being more symphonic and bombastic, and “Mortality” being nice and heavy with a lot of grunts. When we looked at the lyrics of these songs from a distance, it turned out that they often dealt with being trapped and wanting to break free. Apart from the limitations imposed on you by the world, by others, but also by yourself.

Will there be a music video too? Or will it only be music for now?

That is certainly the plan! We just had so much to arrange for the EP release that we want to do that later. In any case, there will first be a lyric video, but a “real” music video is still on the wish list.

What else is on Dance With Dragons’ bucket list? What would you as a band really like to experience someday?

Performing at a (major) festival or as a support act for a big band would be really cool. And it would be even more amazing if the audience there would sing along to the chorus of, for example, “Judgment Day” or “Mortality” at the top of their lungs!

The EP Release of “Escape Into Darkness” is scheduled for April 14 at Bibelot, Dordrecht. Keep an eye on Facebook or check their own website for more updates from the band! Dance with Dragons is also in our band database.

Categories
News

Defazer – Terug van weggeweest

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Een geschreven versie van dit interview volgt zsm!

Check Defazer op Spotify

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News

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Studenten vanย @metal.factory, onderdeel vanย @hetsummacollege, en De Pul gaan intensief samenwerken. Studenten krijgen letterlijk en figuurlijk een podium bij De Pul. Op het gebied van programmeren, organiseren en marketing draaien de studenten mee met het team van de Udense popzaal รฉn ze gaan ook optreden.

โ€œJonge mensen kansen bieden, daar maken we ons bij De Pul al jaren hard voor. De studenten krijgen hier veel vrijheid en vertrouwen om te ontdekken wat er bij een poppodium allemaal gebeurtโ€, zegt programmeur Hugo Berends van De Pul.

Het idee voor de samenwerking ontstond bij de programmeur zelf. โ€œMetal is een genre dat hier van oudsher veel te horen is en dat publiek weet De Pul goed te vinden. De link met de Metal Factory was daarom eigenlijk heel logisch en daardoor snel gelegd. Er was ook meteen een goede klik met de studenten.โ€

Docent Kevin Quilligan van Metal Factory vindt de samenwerking heel waardevol. โ€œStudenten krijgen de kans om te leren en mee te helpen op een รฉchte werkplek met mensen uit het werkveld. Ze worden ingezet bij de artiestenbegeleiding en bijvoorbeeld bij het licht- en audioteam. Daarnaast denken ze mee met toekomstige marketingplannen en buigen ze zich over de programmering.โ€