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Day 4 of Jera is a weird surprise. In the past few years, Jear On Air only had three days. And when this year’s edition was announced, it only had three days. However, since it was the festival’s 30th anniversary, and the ticket sale had already started, the organization announced the 4th day. Some people were happy; it was another day of festival! Other people not so much, because they had been planning for three days.
Judging from the number of people that are still left on the festival grounds today, I’m not so sure the 4th day was a success. I think at least half, if not more, of the people was gone today. In a way that was nice – very easy to navigate the festival and no lines at the toilets at all. But it felt a little empty for the bands on the main stage.
After another load of woodchips on the now very muddy festival grounds, it was time for Deez Nuts. Even though most people already went home, there were plenty of people to get the party going.
Bongloard was actually a Dutch band, but since it really isn’t metal, we didn’t do a full review of their performance. However, they had a lot of energy on stage and it was a fun break in the day. The Hawk stage never disappoints in that regard. One point of feedback though. The bass player was headbanging so much, that I really don’t know what he looks like, ‘cause all we saw was hair. Talking about dedication lol.
Time for some solid core with The Acacia Strain. That’s a positive side to the lack of people at the festival today; plenty of room for two-stepping, mosh pits and crowd killing. Plenty of people making good use of the space, and enjoying themselves dancing.
I’ll say it again: I love good vocals. Make Them Suffer has those, and a female keyboard player to add not just a layer of synths and vocals, but a layer of badasserie on stage as well. While the guitarist likes to show his perfectly carved body, she is just banging her head and being a total badass on stage.
The guitarist is fun to watch, though. I would love to see his step count at the end of the gig, ‘cause it seems he’s running a marathon during their performance going from left to right. And just when the party is going at multiple places in the main tent, and moshpits breaking out everywhere, the keyboard badass takes out a keytar to crank it up a notch.
Another band that’s bringing the energy is Death Before Dishonor. Again, lots of energy, and a really cool band to watch. It helps that their music is energetic and fun as well. It’s mainly the bass player and the vocalist bringing the energy though.
The band I was most excited for today was obviously Distant. I saw them at Jera last year, and since then, I’ve been following their releases closely. These guys are growing so fast. With a number of awesome gigs under their belt, touring with Born of Osiris and Whitechapel this year, this band has really grown out of the small stage on Jera. Just listening to one of their releases will show you why.
Before the first tunes even start, the band hands out security vests with their Distant MoshPit Warrior logo on it. The party is on even before they start. And once the music kicks in, people go, hard. Of course, they play their latest release Loveless Suffering. A great number of tracks from Heritage are on the setlist as well.
Their show at Jera is a perfectly produced piece as well. So well, that at the moment both the guitarist and the bass player switch out on stage, no one really notices at first. Why would they switch? Well, if you’re on the small stage, there is no pyro. So of course, you bring your own!
After the kickass Distant show, we manage to see a small part of the Caskets set. I didn’t know this band, and when you don’t know the music and the vocals are off-key, there’s not much reason to stay. The vocalist has a really nasal tone of voice, and it’s turning me off. Maybe more people thought the same, ‘cause there aren’t many people in the tent at this point.
After seeing Zulu at Graspop, we went to check them on Jera as well. In my memory, Zulu was pretty hard and pretty fun. However, I might have had a beer or two too much at Graspop, ‘cause seeing them at Jera was a totally different experience. The crowd seems to love it though. Lots of stagediving and moshing again, and the energy on stage is good. It might be because I’m tired, but it just doesn’t really grasp me. It’s a bit boring, too much of the same.
Decking to go watch Atreyu was the best decision today. We entered while they played Euphoria, probably one of the few tracks I know from this band, and it couldn’t be better. My mood changed in an instant. Artreyu is very fun to watch. This band obviously has a very good time on stage. All of them were continuously smiling, and there was great interaction between the band members on stage. They were shaking butts, doing weird stuff, and just having fun.
It’s refreshing to see a band with so many great vocalists, as all of these guys take turns in singing. Of course, me being a sucker for good vocals and vocal harmonies couldn’t be happier. The guitarist is having his birthday today, and the band surprises him with a cake (and of course, we all get to sing Happy Birthday to him). Just great vibes all around.
I wasn’t too sure if I wanted to see Lionheart. However, after hearing the great stories of their performance yesterday, and not much else to see really, we went for Lionheart. That was a good choice; their music is as straightforward as their name, and the happy vibes from Artreyu continued for a bit during their set.
Tesseract maybe shouldn’t have been in the line-up, and the main stage probably wasn’t the place for them, either. Even less so on this last day, the 4th day that was added later on as a surprise. As most people already went home that morning, and Tesseract didn’t really fit the ‘core’ vibe, that showed in the number of people in the tent. While it was somewhat crowded when they started their set, at the end, there were probably just 4 rows of people left in front of the stage. Maybe 50 people at most. While there were still groups of people scattered, I actually felt sorry for the band.
It didn’t help that the band started out with pretty technical and challenging music. Not the groovy, head-banging tunes we’ve been hearing all weekend. It’s technically really good, but it might be a bit to intellectual for this festival. Tesseract is listening music, not party music.
And with the tunes of Enter Shikari in our ears, we sadly have to miss them this time, ‘cause it’s a long drive back home. We were lucky enough to get our car out without the help of the tractor (of course the parking turned into one, big mud pit). See you next time, Jera!
Distant
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